Towards A Gothic Marxism III: First Sketches

It’s easy enough to talk about the political nature of horror. At this point, the challenge is ignoring the political semiotics of horror, especially in film, thanks to a whole host of work that has emerged in the past decade or so. A more complicated problem, and maybe a more interesting one, is working out the direct … Continue reading Towards A Gothic Marxism III: First Sketches

Towards A Gothic Marxism Part II: Monsters For Socialism

As Sylvia Federici points out in her landmark work. Caliban And The Witch one of the features of the emergence of capitalism was the production of a new kind of subject. The growing mercantile bourgeoisie required labour power to work for them and thus, society and the idea of the subject had to be reshaped. … Continue reading Towards A Gothic Marxism Part II: Monsters For Socialism

Towards A Gothic Marxism I: On Monsters

We live in an age of monsters. Such a statement is hardly controversial anymore – from every aspect of culture monsters peer at us, we consume them, we profess our fear, yet the market is saturated with vampires, ghouls, demons, and ghosts. We loathe the monsters, we hide from them. but we love them too. … Continue reading Towards A Gothic Marxism I: On Monsters