The Haunted House on Film Part Four

Last week was a less straightforward and conventional haunted house film, with its focus on the essential erasure or subsumption of the domestic into the service industry economy.  I wanted to keep that theme going with this week's entry, Oliver Assayas’s Personal Shopper. The story follows Maureen Cartwright, played by Kristen Stewart, who works as … Continue reading The Haunted House on Film Part Four

The Haunted House on Film Part Three

The last piece in the series (read it here, why not?) covered something of a classic so for this installement it seems appropriate to go for a more contemporary director who is clearly indebted to the form and aesthetics of older horror film. Who better than Ti West? However, I have to start with something … Continue reading The Haunted House on Film Part Three

The Haunted House on Film Part Two

After starting last week with the piece on Fulci, I thought I would turn to another film that takes even heavier inspiration from Henry James’s novella, “The Turn of the Screw.” The Innocents, directed by arguably the most literary of British film directors, Jack Clayton, is utterly peerless. It is formally and thematically bold in … Continue reading The Haunted House on Film Part Two

The Democratic Modernism of Peter Watkins

The multiplicity of interpretations to which the Commune has been subjected, and the multiplicity of interests which construed it in their favor, show that it was a thoroughly expansive political form, while all the previous forms of government had been emphatically repressive. Its true secret was this: It was essentially a working class government, the … Continue reading The Democratic Modernism of Peter Watkins

Towards A Theory of Protestant Horror

How often we ask for genuine experience when all we really want is emotion. Over on Twitter, there was some discussion on the role of Catholicism in horror, and whether or not there is such a thing as Protestant horror. Catholicism, with it's sacrements, rites of exorcism and coherent iconography offer a compelling cinematic language. … Continue reading Towards A Theory of Protestant Horror